Daniel Day-Lewis once again establishes himself as film’s finest living actor. Before Day-Lewis’ Lincoln, every film version of the life and accomplishments of our greatest president was a caricature, a cartoon. Now we have a living, breathing, dirty-story telling Lincoln who is both an extraordinary democrat – small “d” – and a tough-as-nails political leader. The Academy should phone it in – this is the best acting you can hope to see this year and an inspiring, even great, movie.
One reason Lincoln will have such impact – it’s already cleaning up at the box office – is because our current politics seem so small, petty and mean spirited, often for the sake of just being mean. We yearn for leaders with guts and eloquence, men and women willing to put country before career. Lincoln spent every day of his presidency dealing with a horrible, bloody civil war that threatened the very existence of a nation barely four score years old; a nation torn apart by slaves and slavery.
As Lincoln said in his Second Inaugural – perhaps the most profound speech every spoken in the English language – “These slaves constituted a peculiar and powerful interest. All knew that this interest was somehow the cause of the war.” In such light the petty squabbles over the so called fiscal cliff seem truly petty and stupidly partisan.
The single best moment in Lincoln – it’s a movie of many great moments – is when the president is explaining to his Cabinet why he must push Congress to pass the 13th Amendment to the Constitution that will finally and forever outlaw slavery. Lincoln has already freed slaves in those states in rebellion against the United States – the Emancipation Proclamation – but with a lawyer’s precision he explains why, if he is to follow the law and the Constitution, he can’t leave it at that. He must amend the Constitution to make it clear to the courts, to the American public, the world and the future that slavery is dead, forever. Later in the film the president explains to Confederate Vice President Alexander Stephens who is seeking a negotiated end to the killing that the rebellious states have lost – slavery will be no more – and the genius of Lincoln, the political genius, is fully evidence.
An old friend Barrett Rainey wrote recently that Lincoln should be required viewing for every high school student and not once, but twice. Once in the freshman year and again right before graduation. Barrett is right. History for many young people has become dry as dust, but Lincoln puts warm blood in the lessons, a particularly important achievement given the historical amnesia that fogs the perspective of too many Americans.
A CNN poll in 2011, for example, found that a quarter of those surveyed had more sympathy with the Confederate states than with the Union. The number rose to 40% among southerners. You can still gin up a spirited argument with the question; “What was the cause of the war?” Hint: it wasn’t state’s rights, or trade or the tariff. The cause of the great national calamity was slavery and the glaring contradiction between the language in our founding documents regarding slavery and the powerful notion that “all men being created equal.”
The Spielberg movie may for a whole new generation bury the idea that 800,000 Americans died for the cause of “states rights.”
Americans badly need remedial history education. For, as the New York Times reports, thousands of Americans of Texas origin have been petitioning the White House to let Texas succeed from the Union. Sorry, Texas, we settled that question at Appomattox Courthouse in April of 1865 and the movie deals intelligently with the fact that Lincoln refused to concede that any state could secede. The Constitution doesn’t contemplate such a move and the idea of Union can’t tolerate such a notion. Such talk, frankly, in the 21st Century is ridiculous.
The Lincoln movie is so valuable for many reasons, not least that it places the dreadful and defining event of American history in the context of what was really at stake when young American boys marched off to slaughter at Shiloh, Gettysburg, Franklin and Cold Harbor. Lincoln was fighting that awful war to win an idea – that a government of the people, by the people and for the people shall not perish from the earth.
Daniel Day-Lewis as Lincoln – ironically the greatest portrayal of the greatest American president comes from a half Brit/half Irishman – shouts down the silly Texans of the 21st Century who dream of going their separate way. It doesn’t work that way. We settled that question a long time ago. We bled the nation – black and white – to establish for once and always that the United States of America is one. We have great debates, we vote, we win some and we lose some, but the United States goes on. Lincoln knew that it would. We should know it, too.
Go see the movie and take the kids.
Marc Johnson is a partner at the Boise-based Gallatin Public Affairs. He led the firm’s Boise office for 18 years and served as company president for five years. Prior to joining Gallatin, he served as press secretary and chief of staff to Cecil D. Andrus, Idaho’s only four-term governor. Marc blogs at www.manythingsconsidered.com.